Master Cherokee potter Joel Queen, the new program coordinator and instructor at the Oconaluftee Institute for Cultural Arts in Cherokee, demonstrates a unique technique of using a cloth diaper to allow movement and expansion of clay. Luzene Hill, OICA program outreach coordinator, watches as Queen molds the strip of clay inside as he begins creating a piece of pottery.

Queen, whose art is displayed in such places as the Smithsonian Institution and the British Museum in London, says that art is the same language wherever you go. “The language of our Cherokee art is so storied with paintings, weaving, wood crafts, stonework and ceramics and I’ve spent my life creating in the Cherokee mediums,” said this enrolled member of the Eastern Band. “I’ve been able to make a successful living at it but now it’s time for me to give back and that’s why I chose to work with OICA.”

His students, like Mike Taylor of Cherokee, respect the artistic heritage Queen brings to the institute. Members of Queen’s family have been potters for nine generations. “A lot of potters will keep their family secrets but I believe in sharing and in keeping the traditions alive so they don’t get lost,” said this grandson of potter Ethel Bigmeat. “One of the reasons to create art is so people can see their past and their future.”

“Part of our strength at OICA comes from our generational teachers like Joel and John Grant, who teaches wood and stone carving,” said Luzene Hill, program outreach coordinator for the institute.

“We give students a foundation in traditional methods, but we also give them the freedom to create contemporary art,” said Hill, an artist whose work is exhibited in private and corporate collections across the country.

Students of all skill levels are welcome at the institute, a joint endeavor of the Eastern Band, Southwestern Community College and Western Carolina University.

Students can earn an associate of fine arts degree from Southwestern. If they want to continue their education they can transfer to Western Carolina University, or any other college in the state university system, as a junior to pursue a bachelor of fine arts degree.

“Not all of our students want to go for a higher degree and we help them find their place in the market,” said Queen. “That’s important- they can be a great artist but if they don’t know how to market their work, they won’t be able to make a living from it.”

“Joel has his own business and gallery so he is the perfect person to help our students with marketing,” said Hill.

At present the classes are small enough that instructors can individualize a program around the student’s skill level.

Queen said part of his job is “taking students’ love of creating and helping them through the steps to achieve the vision they think their piece should look like. My job is to challenge them, to help them push their boundaries and see just how far they can go.”

But before they push the envelope and break all the rules, Queen teaches his students just what the rules are –rules he has learned from a personal mastery of clay and from knowledge and talent passed down from eight generations before him who sifted and kneaded hand-dug clay, stamped it with hand-carved wooden paddles and fired it in traditional pit fires.

“Here at the institute we respect and honor the traditions of our Cherokee ancestors. But after students master technique, we encourage them to show innovation and creativity,” said Queen. “For our Cherokee culture to evolve, our art must evolve first…and art is the same language, no matter where you go.”

While the institute is a mix of traditional and contemporary, the students are also a mix. About half are Cherokee and the others represent a mix of cultures, according to Hill, an EBCI enrolled member.

“The more students we get, the more programs we can offer,” she said. For more information, call 497-3945 or stop by the new location at 70 Bingo Loop Road in Cherokee.

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